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Who is she?
Yayoi Kusama is a Japanese artist who is sometimes called ‘the princess of polka dots'. Although she makes lots of different types of art – paintings, sculptures, performances and installations – they have one thing in common, DOTS!
What's with all the dots?
Yayoi Kusama tells the story of how when she was a little girl she had a hallucination that freaked her out. She was in a field of flowers when they all started talking to her! The heads of flowers were like dots that went on as far as she could see, and she felt as if she was disappearing or as she calls it ‘self-obliterating’ – into this field of endless dots. This weird experience influenced most of her later work.
By adding all-over marks and dots to her paintings, drawings, objects and clothes she feels as if she is making them (and herself) melt into, and become part of, the bigger universe. She said:
‘Our earth is only one polka dot among a million stars in the cosmos. Polka dots are a way to infinity. When we obliterate nature and our bodies with polka dots, we become part of the unity of our environment’.
1965: Infinity Mirror Rooms, Phallis Field, installation view in the exhibition floor show, Richard Castellane Gallery, New York © YAYOI KUSAMA
Yayoi Kusama, Infinity Mirrored Room ® Filled with the Brilliance of Life, 2011 © YAYOI KUSAMA, Courtesy of Ota Fine Arts, Victoria Miro
She also creates environments of dots so that we can experience this feeling of self-obliteration too. She calls these rooms her 'Infinity Rooms', and creates them by installing hundreds of flashing coloured LED lights into mirrored rooms. The pinpricks of light in the dark room reflect endlessly in the mirrors, making you feel like you are in an apparently endless space. The dots surround and engulf you…it's very hard to tell where you end and where the rest of the room begins!
How did she start?
Yayoi was born in Japan in 1929. She loved drawing and painting and although her parents didn't want her to be an artist, she was determined. When her mum tore up her drawings, she made more. When she could not afford to buy art materials, she used mud and old sacks to make art. This is a drawing she made of her mum when she was 10-years-old.
Yayoi Kusama, Untitled 1939, Pencil on paper, 25 × 22 cm
Eventually Yayoi Kusama persuaded her parents to let her go to art school and study painting.
In the late 1950s she moved to New York as lots of the most exciting art seemed to be happening there. It must have been a bit frightening arriving in a big city with such a different culture from what she knew. But she was determined to conquer New York. She later wrote about her feisty attitude: ‘I would stand up to them all with a single polka dot’.
1965 Lying on the base of My Flower Bed (1962) Photo: Peter Moore © Northwestern University © YAYOI KUSAMA
She had the first of many exhibitions there in 1959. She met and inspired important artists including Donald Judd, Andy Warhol and Joseph Cornell, and her art was a part of exciting art developments such as pop art and minimalism. She was also one of the first artists to experiment with performance and action art.
As well as being an art pioneer, Yayoi Kusama put her creativity into other things including music, design, writing and fashion.
